Iestyn Davies
with Oliver Wass, harp
Friday, October 23, 2026
7:30 p.m.
Metropolitan Opera star countertenor presents
wide-ranging song repertoire
Chamber music brings audiences close to the music in an essentially human study of inspiration, collaboration, and beauty. Before any string quartets were written, however, instruments were used to mimic and complement the human voice. This Fall, British countertenor Iestyn Davies brings to our stage a broad and fascinating program of solo songs accompanied by harp. Regularly lauded as one of the finest performers of his voice type in the world, Mr. Davies is supported by young rising star harpist Oliver Wass. Essentials of European and American song repertoire are set beside contemporary works by Francis Poulenc and Anna Meredith, plus a song cycle written especially for the artist by Nico Muhly.
Featuring works by
Claudio Monteverdi
Henry Purcell
George Frideric Handel
Franz Schubert
Amy Beach
Francis Poulenc
Anna Meredith
Nico Muhly
With works for solo harp by
Claude Debussy, Manuel de Falla, & Benjamin Britten
$50 live in-person | $14 livestream
About the Artists
Iestyn Davies is a British countertenor widely recognised as one of the world’s finest singers celebrated for the beauty and technical dexterity of his voice and intelligent musicianship. Critical recognition of Iestyn’s work can be seen in two Gramophone Awards, a Grammy Award, a RPS Award for Young Singer of the Year, the Critics’ Circle Award and recently an Olivier Award Nomination. He was appointed MBE in the Queen's New Year's Honours List 2017 for services to music.
Although blessed with a Welsh name, Iestyn hails from York, born into a musical household, his father being the founding cellist of the Fitzwilliam String Quartet.
He began his singing life as a chorister at St John’s College, Cambridge under the direction of Dr. George Guest and later Christopher Robinson.
Later, after graduating in Archaeology and Anthropology from St John’s College, Cambridge Iestyn studied at the Royal Academy of Music, London of which he is now a Fellow.
In 2015 he delighted London theatre audiences singing the role of Farinelli in the play, Farinelli and the King with Mark Rylance at the Globe Theatre. The hugely successful project later transferred to the West End and was nominated for a number of Olivier Awards.
His operatic engagements have included Ottone (L’incoronazione di Poppea/Monteverdi) for Zürich Opera and Glyndebourne Festival Opera; Arsace (Partenope/Handel) for New York City Opera; Oberon (A Midsummer Night’s Dream/Britten) for Houston Grand Opera, English National Opera and The Metropolitan Opera, New York; Apollo (Death in Venice/Britten) for English National Opera and in his house debut at La Scala, Milan; Hamor (Jephtha/Handel) for Welsh National Opera and Opera National de Bordeaux; Steffani’s Niobe at the Royal Opera House, Covent Garden; his debut at The Metropolitan Opera Unulfo (Rodelinda/Handel) where he has also appeared as Trinculo The Tempest; the Lyric Opera of Chicago in Rinaldo; Bertarido Rodelinda for English National Opera; his debuts at the Opéra Comique and the Munich and Vienna Festivals in George Benjamin's Written on Skin and the title role Rinaldo for Glyndebourne Festival Opera. He returned to Glyndebourne in 2015 for David in Handel’s Saul.
His concert engagements have included performances at the Teatro alla Scala, Milan with Dudamel, the Concertgebouw and Tonhalle with Koopman and at the Barbican, Théâtre des Champs-Élysées, Lincoln Centre and at the BBC Proms in the Royal Albert Hall with orchestras that include the Bournemouth Symphony Orchestra, London Philharmonic, Britten Sinfonia, Concerto Köln, Concerto Copenhagen, Ensemble Matheus, the Orchestra of the Age of Enlightenment, Academy of Ancient Music and Scottish Chamber Orchestra. He recently made his debut, in recital, at Carnegie Hall, New York. He enjoys a successful relationship with the Wigmore Hall, where, in the 2012/13 season, he curated his own residency.
Recent highlights have included two Bach recitals at the Edinburgh International Festival, Britten's 'A Midsummer Night's Dream' at the Aldeburgh Festival and Schubert's 'Die Schöne Müllerin' with Julius Drake at Middle Temple Hall, London. Future plans include Thomas Adès's "The Exterminating Angel' at the Metropolitan Opera New York and Farinelli & the King with Mark Rylance on Broadway, New York.
His recordings include two versions of Handel’s Messiah (New College Oxford, AAM/Naxos) and (Polyphony, Britten Sinfonia/Hyperion), Handel’s Chandos Anthems on Hyperion, Handel’s Flavio for Chandos with The Early Opera Company and Christian Curnyn, Bach’s Easter Oratorio with Retrospect Ensemble, his debut solo recording Live at the Wigmore Hall with his own Ensemble Guadagni, a disc of Porpora Cantatas with Jonathan Cohen and Arcangelo, an award winning disc of works for Guadagni for Hyperion and a disc of Handel arias with The King’s Consort for Vivat. 2014/5 saw the release of The Art of Melancholy, a recital of Dowland songs for Hyperion, Flow my tears, songs for lute, viol and voice on the Wigmore Live label and Arise my muse for which he received the Gramophone Recital Award. He has added recordings of Bach Cantatas with Arcangelo, Faure Songs with Malcolm Martineau andlooks forward to the release of Bach's Magnificat and B Minor Mass in the coming months both for Hyperion.
He is the recipient of the 2010 Royal Philharmonic Young Artist of the Year Award, the 2012 & 2014 Gramophone Recital Award, the 2013 Critics’ Circle Awards for Exceptional Young Talent (Singer).
Harpist Oliver Wass has won the Suoni d’Arpa International Competition in Italy, the International Harp Competition of Slovenia, and the Jury Prize at the International Harp Competition in Szeged, Hungary. In May 2016 he became the first harpist ever to win the Guildhall Gold Medal – the Guildhall’s most prestigious prize.
He has performed every major harp concerto, including Lyra Angelica with the Philharmonia Orchestra, the Mozart Flute and Harp Concerto with The Mozartists at the Wigmore Hall, the Debussy Danses with 12 Ensemble at the Wigmore Hall, and he has directed the Handel Harp Concerto in the Barbican Hall.
He plays both modern and early harps, and has performed the Handel Harp Concerto with the English Concert at the Wigmore Hall on the triple harp, as well as touring to New York’s Carnegie Hall, Berlin Philharmonie, and Salzberg Mozarteum.
Playing with “verve and polish” (The Times), his flute-viola-harp trio, The Pelléas Ensemble, won the Royal Philarmonic Society Henderson Award and the Elias Fawcett Award for Outstanding Chamber Ensemble at the Royal Overseas League competition. They have also won both the Grand Prize and the Audience Prize in the St Martin-in-the-Fields Chamber Music Competition.
Oliver holds a First Class Masters Degree from the Guildhall School of Music & Drama, where he studied with Imogen Barford. He graduated from the University of York with a First Class Honours degree in Chemistry.
Despite having spent his teenage years making fireworks in his parents’ basement, he still remarkably has all of his fingers.